ANOTHER SOLD OUT
BARD 2005
The annual Bard of Armagh Festival of Humorous Verse finals, which took place
on Friday 25 November in the Armagh City Hotel was once again a complete sell
out. The demand for tickets this year was unprecedented and those lucky enough
from all over Ireland to have secured tickets, can expect another extravaganza
of humorous verse of the highest calibre. A number of new Bards have entered
the fray this year to see who can emulate the great Jimmy Rafferty, Bard 2004.
The position of the versifier
was central in Irish life down the ages for his humorous and satirical gifts,
and bards could heap praise or ridicule with equal power on members of the
tribe and community. The humour was born out of hardship and repression, it
sometimes got trapped in the sub-conscious layers, but always found a means
of escaping into the mainstream.
It took a few years trial
and error before the Bard of Armagh Festival truly found its feet. The committee
insisted that there be a high standard both in the construction of the poems
and also in the recitations in keeping with the highest standards of the bards
of antiquity.
But bards do not merely
compose. An equal part of their art is in the delivery. They have to hold
the total attention of the audience through every single verse and keep the
laughter coming- no small challenge before a thousand people. They have to
teach themselves the art of indentation, how to pause for effect, how to stress
certain words and lines and use the appropriate body language.
Nor is it remotely enough
to keep the audience happy or even smiling. The laughter educed has to be
side-splitting and convulsive. People must be seen to double up. Whoops and
squeals must permeate the laughing surge. A Bard has truly scored when the
audience go wild for a full solid minute after a single line and end up spontaneously
applauding the stroke of genius.
To celebrate over 10 years
of bardic revelry a new double CD has just been released. This contains some
of the great classics from such versifiers as McGeeney, O Hagan and Rafferty.
Michael Quinn’s ‘The man that shot the dog’ is as popular
as ever and women Bards like Joan Gaffney, Rosemary Twohig and Mary Byrne
feature as well. This outstanding feast of humour would make the ideal Christmas
present and as one committee member said, ‘Every good home should have
one’
The performers in this
years Bard finals were as follows:
Irish
News Section
Brian Gogarty - Extra Extra
Mary Byrne - Way Da Go
Jim Patterson - Ulster’s Sporting Greats
Rosemary Twohig - The Electronic Belt
Kathleen Teresa - Heath No News is Good News
Main
Christy Duffy - Mary and the Bard
Richard Frew - Memoirs of a Kitchen Table
Phyllis Murphy - The Sound of Music
Matt McAteer - Genetically Challenged
Dermot Hughie - McEnally The Tall Tale of Seymour
Brown
James McEldowney - The Ballad of Hudy McGuigan
Henry McGrath - Her Fathers Auld Hay Barn
Declan O Brien - The Nativity Play
Eddie McCartney - McNulty’s Old Buck Goat
Donald McKenna - The Dream
Jimmy Rafferty - The Barred of Armagh
Arthur Sheridan - The Date
Once again, new themes are magically woven into verse and the Ballad of Hudy McGinn by James Mc Eldowney tells the story of the first man to fly. Richard Frew’s poem looks at life through the eyes of a kitchen table and Arthur Sheridan, another newcomer from Dublin, informs us about a rather nervous first date. There are no raging favourites this year again and a lot depends on the irresistible energy that only the Bard can generate during his delivery. Only one thing is certain, a new name will be engraved on the Bard mantle on Friday 25 November.